#-----------------------------PLEASE NOTE--------------------------------# # This file is the author¥s own work and represents their interpretation # # of the song. You may only use this file for private study, scholarship,# # or research. # # # # All transcriptions on this site is the property of KISS Asylum and # # cannot be used on any other website, ftp site or archive without # # permission from KISS Asylum. # #------------------------------------------------------------------------# C'MON AND LOVE ME (from the KISS CD "DRESSED TO KILL") -------------------- Transcribed by Emil Ortenmark, emil@kissasylum.com Tuned down 1/2-step Comments: Gene offers no real surprises in this song. It's a driving rock riff so he just doubles it. In the "chorus", or whatever to call it, he mixes up the rhythms a little and also produces three variations. Key: / = slide up \ = slide down b = bend (whole step) b^ = bend (1/2 step) b^^ = bend (1 1/2 steps) pb = pre-bend r = release-bend t = tap with righthand finger h = hammer-on p = pull-off ~ = Vibrato * = Natural Harmonic #(#) = Trill ** = Artificial Harmonic x = Dead notes (no pitch) P.M. = Palm mute (- -> underneath indicates which notes) (\) = Dive w\bar (/) = Release w\bar Tp = Tap w\plectrum Rhythm Fig. 1a Gb|------------------------------------------------| Db|------------------------------------------------| Ab|-----------------4-----------------2------------| Eb|--------------4---------------2-----------------| Gb|------------------------------------------------| Db|-----------------7-----------------9------------| Ab|--------------7---------------9-----------------| Eb|------------------------------------------------| Rhythm Fig. 1b Gb|------------------------------------------------| Db|------------------------------------------------| Ab|--4--4--4--4--4--4-----4----4--4--4-------2/----| Eb|--------------------4----------------2----------| Gb|------------------------------------------------| Db|--7--7--7--7--7--7-----7----7--7--7-------9\----| Ab|--------------------7----------------9----------| Eb|------------------------------------------------| Rhythm Fig. 2 Gb|------------------------------------------------| Db|------------------------------------------------| Ab|--4--4--4--4--4--4-----4----4--4--4-------2-----| Eb|--------------------4----------------2----------| < - - - - - - - - - - - 2x - - - - - - - - - - > Gb|------------------------------------------------| Db|--7--7--7--7--7--7--7--7--9--9--9--9--9--9--9\--| Ab|------------------------------------------------| Eb|------------------------------------------------| Gb|------------------------------------------------| Db|------------------------------------------------| Ab|--4--4--4--4--4--4-----4----4--4--4-------2-----| Eb|--------------------4----------------2----------| < - - - - - - - - - - - 3x - - - - - - - - - - > Gb|------------------------------------------------| Db|--7--7--7--7--7--7--7--7--9--9--9--9--9--9--9\--| Ab|------------------------------------------------| Eb|------------------------------------------------| Gb|------------------------------------------------| Db|------------------------------------------------| Ab|--4--4--4--4--4--4-----4----4--4----4----6------| Eb|--------------------4---------------------------| Rhythm Fig. 3a Gb|------------------------------------------------| Db|------------------------------------------------| Ab|--7----7----7--7--7--7----7--7----7--7--7\------| Eb|------------------------------------------------| Gb|------------------------------------------------| Db|---------------------------------------------0--| Ab|--2--2--2--2--2--------2----2--2----2--2--2-----| Eb|-----------------4--2---------------------------| Gb|------------------------------------------------| Db|--2----2----2-----------------------------------| Ab|---------------4--2-----------------------------| Eb|---------------------0----0--0--0--0--0--0--0---| Gb|------------------------------------------------| Db|------------------------------------------------| Ab|------------------------------------------------| Eb|--2--2--2--2--2--2--2--2--4---------------------| Rhythm Fig. 3b Gb|------------------------------------------------| Db|------------------------------------------------| Ab|--7----7----7--7--7--7----7--7----7--7--7\------| Eb|------------------------------------------------| Gb|------------------------------------------------| Db|------------------------------------------0--1--| Ab|--2--2--2--2--2-----------2----2----2--2--------| Eb|-----------------4--2--4------------------------| Gb|------------------------------------------------| Db|--2----2----2-----------------------------------| Ab|---------------4--2-----------------------------| Eb|---------------------0----0--0--0--0--0--0--0---| Gb|------------------------------------------------| Db|------------------------------------------------| Ab|------------------------------------------------| Eb|--2--2--2--2--2--2--2--3--4---------------------| Rhythm Fig. 3c Gb|------------------------------------------------| Db|--2----2----2--2--2----2----2----2--2--2--0-----| Ab|------------------------------------------------| Eb|------------------------------------------------| Gb|------------------------------------------------| Db|--------------------------------------------0---| Ab|--2--2--2----2--2--2-----2----2----2--2--2------| Eb|----------------------2-------------------------| Gb|------------------------------------------------| Db|--2----2----2-----------------------------------| Ab|---------------4--2-----------------------------| Eb|---------------------0----0--0--0--0--0--0--0---| Gb|------------------------------------------------| Db|------------------------------------------------| Ab|------------------------------------------------| Eb|--2--2--2--2--2--2--2--2--4---------------------| Rhythm Fig. 4 Gb|------------------------------------------------| Db|------------------------------------------------| Ab|--2/4---4----4----2--0------0----2----2---------| Eb|------------------------------------------------| Rhythm Fig. 5 Gb|------------------------------------------------| Db|-----------------------------------------0------| Ab|--2/4---4----4----4--2------2----2----2---------| Eb|------------------------------------------------| C'MON AND LOVE ME Paul Stanley [Rhy. Fig 1a] [Rhy. Fig 1b] [Rhy. Fig 2] She's a dancer, a romancer I'm a Capricorn and she's a Cancer She saw my picture in a music magazine When she met me, said she'd get me Touched her hips and told me that she'd let me I took her hand, baby this is what I said [Rhy. Fig 3a] I said baby, baby, don't you hesitate 'Cause I just can't wait Lady, won't you take me down to my knees You can do what you please Come on and love me [Rhy. Fig 1b] [Rhy. Fig 2] I'm a man, I'm no baby And you're lookin' every inch a lady You're good lookin' and you're lookin' like you should be good You were distant, now you're nearer I can feel your face inside the mirror The lights are out and I can feel you, baby, with my hand [Rhy. Fig 3b] So baby, baby, don't you hesitate 'Cause I just can't wait Lady, won't you take me down to my knees You can do what you please [Rhy. Fig 4] (3x) Come on and love me Come on and love me Come on and love me [Rhy. Fig 5] Come on and love me [Rhy. Fig 3c] Baby, baby, don't you hesitate 'Cause I just can't wait Lady, won't you take me down to my knees You can do what you please [Rhy. Fig 4] Come on and love me Come on and love me (repeat and fade)