#-----------------------------PLEASE NOTE--------------------------------# # This file is the author¥s own work and represents their interpretation # # of the song. You may only use this file for private study, scholarship,# # or research. # # # # All transcriptions on this site is the property of KISS Asylum and # # cannot be used on any other website, ftp site or archive without # # permission from KISS Asylum. # #------------------------------------------------------------------------# TWO TIMER (from the KISS CD "DRESSED TO KILL") -------------------- Transcribed by Emil Ortenmark, emil@kissasylum.com Tuned down 1/2-step Comments: Another fine example of Gene's tendency to vary things a lot. He uses both the minor and major third against the B-chord in his usual way; major third ascending and minor third descending. These call for some slight position shifts but the rhythmic charcter of the line leave plenty of time for them. Other signature Gene moves include the diatonic scalar descent on some chords, chromatic passing notes and leaning quite heavily on the doiminant seventh of the chord. Because he varies the line as much as he does there are relatively few Rhy. Figs here. Key: / = slide up \ = slide down b = bend (whole step) b^ = bend (1/2 step) b^^ = bend (1 1/2 steps) pb = pre-bend r = release-bend t = tap with righthand finger h = hammer-on p = pull-off ~ = Vibrato * = Natural Harmonic #(#) = Trill ** = Artificial Harmonic x = Dead notes (no pitch) P.M. = Palm mute (- -> underneath indicates which notes) (\) = Dive w\bar (/) = Release w\bar Tp = Tap w\plectrum Rhythm Fig. 1 Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------------------------------------------| Eb|--0--0--5--------------0--0--9--------------------| < - - - - - - - 2x - - - - - - - - > Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------------------------------------------| Eb|--0--0--5-----------------------------------------| Rhythm Fig. 2 Gb|--------------------------------------------------| Db|---------------------9------7---------------------| Ab|------------6--7--9----------------7--5-----------| Eb|--7----7------------------------------------------| Gb|--------------------------------------------------| Db|-----------------7--9------7----------------------| Ab|-------6------9-----------------9--7--------------| Eb|--7-----------------------------------9-----------| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|---------------------7----7--5----4---------------| Eb|--5----3----2--0--0--------------------5--6-------| Gb|--------------------------------------------------| Db|-----------------7--9------------7--7-------------| Ab|-------6------9-----------------------------------| Eb|--7-----------------------------------------------| Gb|--------------------------------------------------| Db|--9----7------------------------------7-----------| Ab|------------9--7--5---------6------9--------------| Eb|---------------------7----------------------------| Gb|--------------------------------------------------| Db|--9----7------9--7-----7h9---7--------------------| Ab|--------------------9-------------9--7------------| Eb|----------------------------------------9---------| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|---------------------7----7--5----4---------------| Eb|--5----3----2--0--0--------------------5--6-------| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------6-----9-----6-----------------------------| Eb|--7--7-----7-----7-----7----7--6--6--7--7--8--8---| Rhythm Fig. 3 Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------------------------------------------| Eb|--9--9--9--9--9--9--9--9--9--9--9--9--9--9--9\-5--| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------------------7----7------------------| Eb|--5--5--5--5--5--5--5--5------------7----7--------| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------------------------------------------| Eb|--9--9--9--9--9--9--9--9--9--9--9--9--9--9--9--9--| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------------------------------------------| Eb|--5----5----5--5--5--7------7----7--7--7----------| Rhythm Fig. 4a Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--2h4---2-------------2h4-----2---------2---------| Eb|-------------4--2--0-----------------4------------| Rhythm Fig. 4b Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--2h4---2-------------2h4-----2-------------------| Eb|-------------4--2--0------------------------------| Rhythm Fig. 4c Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--2h4---2-------------2h4-----2-------------------| Eb|-------------4--2--0-----------------2--4/--------| Rhythm Fig. 5 Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------------------------------------------| Eb|--0--0--5--------------0--0--9--------------0--0--| < - - - - - - - - 2x - - - - - - - > Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|--------------------------------------------------| Eb|--5----5----5--5--5--7------7----7--7--7----------| Rhythm Fig. 6 Gb|--------------------------------------------------| Db|-------------------9------7-----------------------| Ab|-------6------9------------------7--5-------------| Eb|--7-----------------------------------------------| Gb|--------------------------------------------------| Db|-----------------7--9------7----------------------| Ab|-------6------9-------------------9--7------------| Eb|--7-------------------------------------9---------| Gb|--------------------------------------------------| Db|--------------------------------------------------| Ab|---------------------7----7--5----4---------------| Eb|--5----3----2--0--0--------------------5--6-------| Gb|--------------------------------------------------| Db|-----------------7--9----9------------------------| Ab|-------6------9-----------------------------------| Eb|--7-------------------------6----7--7--8----------| TWO TIMER Gene Simmons [Rhy. Fig 1] [Rhy. Fig 2] She thinks she's high fashion She thinks she looks divine And that's what I keep tellin' her I tell her all the time And she tells me she likes fast cars She says she likes mine the best And just because of that, baby You think she'd forget the rest, no, no, no [Rhy. Fig 3] Just call me a three time loser That's all I'll ever be 'Cause my baby's such a two timer You know she's two timing, she's a-two timing me [Rhy. Fig 4a] Two timer, my baby is a [Rhy. Fig 4b] Two timer [Rhy. Fig 5] My baby's a two timer My baby's a two timer My baby, she's a-two timing me, timer [Rhy. Fig 4a] Two timer [Rhy. Fig 4c] [Rhy. Fig 6] [Rhy. Fig 3] Just call me a three time loser That's all I'll ever be 'Cause my baby's such a two timer You know she's two timing, she's a-two timing me [Rhy. Fig 4a] Two timer [Rhy. Fig 4b] Two timer [Rhy. Fig 5] My baby's a two timer My baby's a two timer My baby, she's a-two timing me, timer [Rhy. Fig 4a] (repeat and fade) My baby is a two timer She's nothin' but a two timer It's the truth baby, you're a two timer My baby is a two timer My baby is a two timer