#-----------------------------PLEASE NOTE--------------------------------# # This file is the authorĄs own work and represents their interpretation # # of the song. You may only use this file for private study, scholarship,# # or research. # # # # All transcriptions on this site is the property of KISS Asylum and # # cannot be used on any other website, ftp site or archive without # # permission from KISS Asylum. # #------------------------------------------------------------------------# GOINĄ BLIND (from the KISS CD "HOTTER THAN HELL") -------------------- Transcribed by Emil Ortenmark, emil@kissasylum.com Tuned down 1/2-step Comments: Not quite sure about Rhy. Fig 3b. Sometimes I think itĄs there, others IĄm not so sure. If you donĄt like it substitute Rhy. Fig 3a. Key: / = slide up \ = slide down b = bend (whole step) b^ = bend (1/2 step) b^^ = bend (1 1/2 steps) pb = pre-bend r = release-bend t = tap with righthand finger h = hammer-on p = pull-off ~ = Vibrato * = Natural Harmonic #(#) = Trill ** = Artificial Harmonic x = Dead notes (no pitch) P.M. = Palm mute (- -> underneath indicates which notes) (\) = Dive w\bar (/) = Release w\bar Tp = Tap w\plectrum Rhythm Fig. 1 Gb|-----6--7--6-7-9--7---------------------7---9---7--| Db|--7------------------9-7----9---------9---9---9----| Ab|-------------------------9-------------------------| Eb|---------------------------------------------------| Gb|---------------------------------------------------| Db|--7----14\---------2--4--------4----------4/-------| Ab|-------------2--4------------4---------------------| Eb|-------------------------2-------------------------| Gb|-----6--7--6-7-9--7-9-11-9-7-----------------------| Db|--7---------------------------9------------9--8----| Ab|---------------------------------------------------| Eb|---------------------------------------------------| Gb|---------------------------------------------------| Db|--7----14\---------2--4--------4-------------------| Ab|-------------2--4------------4------------2/-------| Eb|-------------------------2-------------------------| Rhythm Fig. 2a Gb|--------------------------------4-----------4------| Db|-----------------------0------4-----4-----4--------| Ab|--5----4-2-0-------2-4----2-----------2--------2---| Eb|--------------3------------------------------------| Gb|---------------------------------------------------| Db|-------7\---------2--4--------4--------------------| Ab|--0---------2--4------------4------------2/--------| Eb|------------------------2--------------------------| Rhythm Fig. 2b Gb|--------------------------------4--------4---------| Db|-----------------------0------4-----4-------4------| Ab|--5----4-2-0-------2-4----2-----------2--------2---| Eb|--------------3------------------------------------| Gb|---------------------------------------------------| Db|-------7\---------2--4--------4----------4/--------| Ab|--0---------2--4------------4----------------------| Eb|------------------------2--------------------------| Rhythm Fig. 2c Gb|--------------------------------4--------4---------| Db|-----------------------0------4-----4-------4------| Ab|--5----4-2-0-------2-4----2-----------2--------2---| Eb|--------------3------------------------------------| Gb|---------------------------------------------------| Db|-------7\---------2--4--------4--------------------| Ab|--0---------2--4------------4------------2/--------| Eb|------------------------2--------------------------| Rhythm Fig. 3a Gb|---------------------------------------------------| Db|--9----9----7----7----4----4----4--5--6--7---------| Ab|---------------------------------------------------| Eb|---------------------------------------------------| Gb|---------------------------------------------------| Db|--9----9----7----7----4----4----5----4-2-0---------| Ab|-------------------------------------------2-------| Eb|---------------------------------------------------| Rhythm Fig. 3b Gb|----11-----11-----9-----9-----6-----6--------------| Db|-9------9------7-----7-----4-----4-----4--5--6--7--| Ab|---------------------------------------------------| Eb|---------------------------------------------------| Gb|----11-----11-----9-----9-----6-----6--------------| Db|-9------9------7-----7-----4-----4-----5---4-2-0---| Ab|-------------------------------------------------2-| Eb|---------------------------------------------------| Rhythm Fig. 4a Gb|---------------------------------------------------| Db|-----------------------0---------------------------| Ab|--5----4-2-0-------2-4----2----0-------------------| Eb|--------------3---------------------3----2---------| Gb|---------------------------------------------------| Db|-------7\---------2--4--------4--------------------| Ab|--0---------2--4------------4-----------2-3-4------| Eb|------------------------2--------------------------| Rhythm Fig. 4b Gb|---------------------------------------------------| Db|-----------------------0---------------------------| Ab|--5----4-2-0-------2-4----2----0-------------------| Eb|--------------3---------------------3----2---------| Gb|---------------------------------------------------| Db|-------7\---------2--4--------4----------4/--------| Ab|--0---------2--4------------4----------------------| Eb|------------------------2--------------------------| Rhythm Fig. 4c Gb|---------------------------------------------------| Db|-----------------------0---------------------------| Ab|--5----4-2-0-------2-4----2----0-------------------| Eb|--------------3---------------------3----2---------| Gb|---------------------------------------------------| Db|-------7\---------2--4--------4--------------------| Ab|--0---------2--4------------4-------0-2--3--4------| Eb|------------------------2--------------------------| Rhythm Fig. 4d Gb|---------------------------------------------------| Db|-----------------------0---------------------------| Ab|--5----4-2-0-------2-4----2----0-------------------| Eb|--------------3---------------------3----2---------| Gb|---------------------------------------------------| Db|-------7\---------2--4--------4------2--2--4/------| Ab|--0---------2--4------------4----------------------| Eb|------------------------2--------------------------| Rhythm Fig. 4e Gb|---------------------------------------------------| Db|-----------------------0---------------------------| Ab|--5----4-2-0-------2-4----2----0-------------------| Eb|--------------3---------------------3----2---------| Gb|---------------------------------------------------| Db|-------7\---------2--4----4----4-------------------| Ab|--0---------2--4-----------------------------------| Eb|------------------------2----2---------------------| GoinĄ blind Gene Simmons, Steve Coronel [Rhy. Fig 1] [Rhy. Fig 2a] And I know how it should be There is nothing more for you and I [Rhy. Fig 2b] Some are young and some are free But I think I'm goin' blind [Rhy. Fig 3a] 'Cause, I think I'm goin' blind And I know how it's to be, yeah [Rhy. Fig 2c] Little lady, can't you see You're so young and so much different than I [Rhy. Fig 2b] I'm 93, you're sixteen Can't you see I'm goin' blind [Rhy. Fig 3a] 'Cause, I think I'm goin' blind And I know how it's to be, yeah [Rhy. Fig 4a] [Rhy. Fig 4b] [Rhy. Fig 3b] 'Cause, I think I'm goin' blind And I know how it's to be, yeah [Rhy. Fig 4c] You're much younger, can't you see There is nothing more for you and I [Rhy. Fig 4d] I'm 93, you're sixteen And I think I'm goin' blind [Rhy. Fig 3a] Yes, I think I'm goin' blind And I know how it's to be, yeah [Rhy. Fig 4e]