#-----------------------------PLEASE NOTE--------------------------------# # This file is the author¥s own work and represents their interpretation # # of the song. You may only use this file for private study, scholarship,# # or research. # # # # All transcriptions on this site is the property of KISS Tabs and cannot# # be used on any other website, ftp site or archive without permission # # from KISS Tabs. # #------------------------------------------------------------------------# PARTNERS IN CRIME (from the KISS CD "KILLERS") -------------------- Transcribed by Emil Ortenmark, emil@kissasylum.com Tuned down 1/2-step Comments: This is another track that is tuned right between E and Eb (well, a little more towards the E actually) so the remedy is to tune to the album. Just tune to that open A at the beginning and you¥re home. Key: / = slide up \ = slide down b = bend (whole step) b^ = bend (1/2 step) b^^ = bend (1 1/2 steps) pb = pre-bend r = release-bend t = tap with righthand finger h = hammer-on p = pull-off ~ = Vibrato * = Natural Harmonic #(#) = Trill ** = Artificial Harmonic x = Dead notes (no pitch) P.M. = Palm mute (- -> underneath indicates which notes) (\) = Dive w\bar (/) = Release w\bar Tp = Tap w\plectrum Rhythm Fig. 1 Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0---------------------------------------------| Eb|---------------------------------------------------| < - 2x -> Rhythm Fig. 2 Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0---------------------------------------------| Eb|----------------5\------------3--3--2--2-----------| Rhythm Fig. 3 Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0---------------------------------------------| Eb|----------------5\------------3--3--2/-------------| Rhythm Fig. 4 Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0---------------------------------------------| Eb|----------------5\--------------0--3--0------------| Rhythm Fig. 5 Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0----------------------------5h7--------------| Eb|----------------5\---------------------------------| Rhythm Fig. 6 Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0--0--0--0--0--0--0--0--0--0--0--3-(0)-5------| Eb|---------------------------------------------------| Gb|---------------------------------------------------| Db|------------------------------------------5~-------| Ab|--0--0--0--0--0--0--0-------0--0----5h-7-----------| Eb|-----------------------3---------------------------| Rhythm Fig. 7 Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0--0--0--0--0--0-------0--0--0--3-(0)-5-------| Eb|-----------------------3---------------------------| Gb|---------------------------------------------------| Db|------------------------------------------5~-------| Ab|--0--0--0--0--0--0--0-------0--0----5h-7-----------| Eb|-----------------------3---------------------------| Rhythm Fig. 8 Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0--0--0--0--0--0-------0--0--0--3-(0)-5-------| Eb|-----------------------3---------------------------| Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0--0--0--0--0--0-------0--0-------------------| Eb|-----------------------3--------------0--3--0------| Rhythm Fig. 9 Gb|---------------------------5-----5-----------------| Db|-----------------------/5-----5--------------------| Ab|--3------3--3-------------------------5--3---------| Eb|---------------------------------------------------| Gb|---------------------------5----/9--7--5-----------| Db|-----------------------/7-----7-----------7--------| Ab|--5------5--5--------------------------------------| Eb|---------------------------------------------------| Gb|---------------------------5-----5-----------------| Db|-----------------------/5-----5--------------------| Ab|--3------3--3-------------------------5--3---------| Eb|---------------------------------------------------| Gb|---------------------------------------------------| Db|----------------------5------5---------------------| Ab|--5------5--5-----------------------5\-------------| Eb|---------------------------------------------------| Rhythm Fig. 10 Gb|---------------------------3-----3-----------------| Db|-----------------------/3-----3--------------------| Ab|--1------1--1-------------------------3--1---------| Eb|---------------------------------------------------| Gb|---------------------------3----/7--5--3-----------| Db|-----------------------/5-----5-----------5--------| Ab|--3------3--3--------------------------------------| Eb|---------------------------------------------------| Gb|---------------------------3-----3-----------------| Db|-----------------------/3-----3--------------------| Ab|--1------1--1-------------------------3--1---------| Eb|---------------------------------------------------| Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--3------3--3------3--5\---------------------------| Eb|---------------------------------------------------| Rhythm Fig. 11 Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0--0--0--0--0--0--0--0--0--0--0--0------------| Eb|-----------------------------------------0--3--0---| Gb|---------------------------------------------------| Db|--------------------------------------------5------| Ab|--0--0--0--0--0--0--0--0--0--0--0--0--5h-7-----7---| Eb|---------------------------------------------------| Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0--0--0--0--0--0--0--0--0--0--0--0------------| Eb|-----------------------------------------0--3--0---| Gb|---------------------------------------------------| Db|-------------------------------------/7--5---------| Ab|--0--0--0--0--0--0--0--0--0--0--0--0--------7--5---| Eb|---------------------------------------------------| Gb|---------------------------------------------------| Db|--7------------------------------------------------| Ab|-----0--0--0--0--0--0--0--0--0--0--0--0------------| Eb|-----------------------------------------0--3--0---| Gb|---------------------------------------------------| Db|---------------------------------------------------| Ab|--0--0--0--0--0--0--0--0---------------------------| Eb|---------------------------------------------------| Fade out Riff 1 Gb|---------------------------------------------------| Db|--------------7--5---------------------------------| Ab|------12\-----------7------------------------------| Eb|---------------------------------------------------| PARTNERS IN CRIME Paul Stanley, A. Mitchell [Intro: guitar only] [Rhy. Fig 1] (2x) Alright [Rhy. Fig 2] [Rhy. Fig 4] [Rhy. Fig 6] I know your wheels are turning, got your fire burning I know your heart's as cold as stone [Rhy. Fig 8] You're covered in abuses, dripping with excuses I know you got a lover at home [Rhy. Fig 9] But you'll come here to me, time after time You'll go down on your knees Give your life and read your mind [Rhy. Fig 2 then Rhy. Fig 4] Because we're partners in crime, partners in crime [Rhy. Fig 7] Your going is your habit, smiling like a bandit Knocking on my window each night [Rhy. Fig 8] You're sweeter than a beauty queen, darker than a limousine Leafy girls will make you feel right [Rhy. Fig 9] Yeah when it's sink or it's swim and the tale's that's you're blind You get your body so close and lay it all on the line [Rhy. Fig 2 then Rhy. Fig 5] Because we're partners in crime, partners in crime [Rhy. Fig 2 then Rhy. Fig 4] Because we're partners in crime, ooh yeah [Rhy. Fig 7] [Rhy. Fig 8] [Rhy. Fig 10] When it's sink or swim and the tale's that's you're blind You get your body so close and lay it all on the line [Guitar only] Because we're partners in crime, partners in crime [Rhy. Fig 1] Ooh yeah, because we're partners in crime [Riff 1] [Rhy. Fig 2 then Rhy. Fig 5] Because we're partners in crime, partners in crime [Rhy. Fig 3 then Rhy. Fig 4] Partners in crime, let's go [Rhy. Fig 11]