#-----------------------------PLEASE NOTE--------------------------------# # This file is the author¥s own work and represents their interpretation # # of the song. You may only use this file for private study, scholarship,# # or research. # # # # All transcriptions on this site is the property of KISS Asylum and # # cannot be used on any other website, ftp site or archive without # # permission from KISS Asylum. # #------------------------------------------------------------------------# SPIT (from the KISS CD "REVENGE") -------------------- Transcribed by Emil Ortenmark, emil@kissasylum.com Tuned down 1/2-step Comments: Lots of cool riffs here. Back in the days when I was doing work for KISS Tabs I used to get requests for this all the time. Back then I was more into guitar so I didn't pay much attention. Now, here it finally is. Two parts hasn't been tabbed. The verses, and the beginning of the solo. All Gene does there is play open E's in various rhythmic configurations. It would not only be useless from a rhythm standpoint to tab that, but it would probably look pretty stupid as well. The parts just require you to lock into the groove, held by the words in the verse and the hi-hat in the solo. There are quite a few Rhy. Figs in this tab, and each Rhy. Fig is littered with notes, but fear not; it is not nearly as bad as it seems. Mostly the different Rhy. Figs are just variations on each other. Key: / = slide up \ = slide down b = bend (whole step) b^ = bend (1/2 step) b^^ = bend (1 1/2 steps) pb = pre-bend r = release-bend t = tap with righthand finger h = hammer-on p = pull-off ~ = Vibrato * = Natural Harmonic #(#) = Trill ** = Artificial Harmonic x = Dead notes (no pitch) P.M. = Palm mute (- -> underneath indicates which notes) (\) = Dive w\bar (/) = Release w\bar Tp = Tap w\plectrum Rhythm Fig. 1 Gb|-------------------------------------------------------------| Db|------0------------------------------------------------------| Ab|--0h2---2-1-0------------------------------------------------| Eb|--------------3~-0-------------------------------------------| Rhythm Fig. 2 Gb|-------------------------------------------------------------| Db|---------2----2p0-----------------2/-------------------------| Ab|------------------2--0---------------------------------------| Eb|--0-0--0---------------3~--0-0--0-----x-x-x--x-x-x-----------| Rhythm Fig. 3a Gb|-------------------------------------------------------------| Db|---------2--------0-----0-2---------2/-----------------------| Ab|--------------0h2---0h2--------------------------------------| Eb|--0-0--0---------------------0-0--0-----x-x-x--x-3\2-0-------| Rhythm Fig. 3b Gb|-------------------------------------------------------------| Db|---------2--------0-----0-2---------2/-----------------------| Ab|--------------0h2---0h2--------------------------------------| Eb|--0-0--0---------------------0-0--0------0----3--------------| Rhythm Fig. 4 Gb|-------------------------------------------------------------| Db|-------------------------------------------------------------| Ab|--0-0-0-0-0-0-0-0-0-0-0-0-0-1--0--0-0-0-0-0-0-0-0-0-0-0-0-3--| Eb|-------------------------------------------------------------| Gb|-------------------------------------------------------------| Db|-------------------------------------------------------------| Ab|--2-2-2-2-2-2-2-2-2-2-2-2-2-0--2--2-2-2-2-2-2-2-5------------| Eb|-------------------------------------------------------------| Rhythm Fig. 5a Gb|-------------------------------------------------------------| Db|---------------------------------------------0---------------| Ab|----------------------------0-0--0-12\---0h2---2-0-----------| Eb|--0-0--0-0----0-0--0--0-3~-------------------------3~--------| Rhythm Fig. 5b Gb|-------------------------------------------------------------| Db|---------------------------------------------0---------------| Ab|---------7/-----------------0-0--0-12\---0h2---2-0-----------| Eb|--0-0--0------0-0--0--0-3~-------------------------3~--------| Rhythm Fig. 6 Gb|-------------------------------------------------------------| Db|-----------------------------------------5-------------------| Ab|----------------------------0-0--0-12\--------5/-------------| Eb|--0-0--0-0----0-0--0--0-3~-----------------------------------| Rhythm Fig. 7 Gb|-------------------------------------------------------------| Db|-------------------------------------------------------------| Ab|----------------------------2----0---------------------------| Eb|--0-0--0-0----0-0--0--0-3~------------3----2-----------------| Rhythm Fig. 8 Gb|----------------------------4---5-----6---7------------------| Db|-------------------------------------------------------------| Ab|-------------------------------------------------------------| Eb|--0-0--0-0----0-0--0--0-3~-----------------------------------| Rhythm Fig. 9 Gb|-------------------------------------------------------------| Db|-------------------------------------------------------------| Ab|-------------------------------------------------------------| Eb|--0----3-----------------------------------------------------| Rhythm Fig. 10 Gb|-------------------------------------------------------------| Db|-------------------------------------------------7\----------| Ab|-------------------------------------------------------------| Eb|--3-5-5--3-5~--3-5-5--3-5~---3-5-5--3-5~--3-5-5--------------| Rhythm Fig. 11a Gb|-------------------------------------------------------------| Db|------------------------5-------------------5----5----5------| Ab|--2-----2--2-----2-----------2-----2--2-------5----5----5----| Eb|----3-0------3-0---3-0---------3-0------3-0------------------| Rhythm Fig. 11b Gb|-------------------------------------------------------------| Db|------------------------5-------------------5----5-----------| Ab|--2-----2--2-----2-----------2-----2--2-------5----5--5-5----| Eb|----3-0------3-0---3-0---------3-0------3-0------------------| Gb|-------------------------------------------------------------| Db|--5----5--------5----5---------------------------------------| Ab|----5----5--5-5---5----5--5-5--------------------------------| Eb|-------------------------------------------------------------| Rhythm Fig. 11c Gb|-------------------------------------------------------------| Db|------------------------5-------------------5----5----5------| Ab|--2-----2--2-----2-----------2-----2--2-------5----5----5----| Eb|----3-0------3-0---3-0---------3-0------3-0------------------| Gb|-------------------------------------------------------------| Db|--5----5----5---5----5----5----------------------------------| Ab|----5----5----5---5----5----5--------------------------------| Eb|-------------------------------------------------------------| Rhythm Fig. 12 Gb|-------------------------------------------------------------| Db|---------------------------5----5-------5----5---------------| Ab|-----------------------------5----5--5----5----5--5----------| Eb|--0-0--0-0----0-0--0--0-3~-----------------------------------| Gb|-------------------------------------------------------------| Db|------0------------------------------------------------------| Ab|--0h2---2-0--------------------------------------------------| Eb|------------3~------0-0--------------------------------------| SPIT Gene Simmons, Paul Stanley, Van Zen [Rhy. Fig 1] [See comments] I got no manners and I'm not too clean But I know what I like, if you know what I mean What'll people say? Well mister cantcha see It don't mean spit to me [Rhy. Fig 2] [Rhy. Fig 3a] [See comments] Hot damn, Lord above, I want a lotta woman with a lotta love Well, thin is in, but it's plain to see, it don't mean spit to me [Rhy. Fig 2] [Rhy. Fig 3b] [Rhy. Fig 4] I need: big hips, sweet lips, make a man outta me The bigger the cushion, the better the pushin' - most definitely [Rhy. Fig 5a] (I need a whole lotta woman) To keep me satisfied [Rhy. Fig 6] (I need a whole lotta woman) Baby, for ride after ride after ride [Rhy. Fig 5a] (I need a whole lotta woman) Yeah, 'cause what you are is what you eat [Rhy. Fig 7] And I need something sweet [See comments] Lock the windows, close the doors, then she get down on all fours Let the neighbors talk, but can't you see, it don't mean spit to me [Rhy. Fig 9] [Rhy. Fig 10] [Rhy. Fig 11a] [rhy. Fig 10] No! Oh yeah! [Rhy. Fig 11b] [Rhy. Fig 5a] (I need a whole lotta woman) Yes I do, to keep me satisfied [Rhy. Fig 6] (I need a whole lotta woman) Yeah yeah, yeah yeah, yeah, for ride after ride after ride [Rhy. Fig 5a] (I need a whole lotta woman) I'm tellin' you, 'cause what you are is what you eat [Rhy. Fig 7] And I need something sweet (I want somethin') [See comments] [Rhy. Fig 10] [Rhy. Fig 11a] [Rhy. Fig 10] [Rhy. Fig 11c] [Rhy. Fig 5b] (I need a whole lotta woman) Yeah, 'cause meatless girls don't satisfy me [Rhy. Fig 6] (I need a whole lotta woman) Mama mama, for ride after ride after ride [Rhy. Fig 5a] (I need a whole lotta woman) Yeah, that's right, what you are is who you eat [Rhy. Fig 8] And I need something [Rhy. Fig 5a] (I need a whole lotta woman) Oh, I need a whole lotta woman [Rhy. Fig 6] (I need a whole lotta woman) Hey, Bruce [Rhy. Fig 5a] (I need a whole lotta woman) Yeah yeah, oh oh oh [Rhy. Fig 12]