“Gladiator music”: The hard rock album Paul Stanley adores

If you were to ever pick someone who embodied the complete stereotype of a rock star, Paul Stanley would be up there. No offence to him – that’s not to say his story or contributions to music are in any way run of the mill – but when it comes to the typical tropes of sex and drugs and rock and roll, it’s fair to say he’s seen it all.

In many ways, Stanley has lived a life, both literally and metaphorically, with stars in his eyes. But aside from physically donning the iconic face paints of his Kiss persona, this status also granted him an all-seeing perspective on the rock music canon at large, casting his defining view over many bands and tunes that would either become stratospheric or crash and burn.

But Stanley himself could have only learned this trade from the greats, and there was one band in particular who had his undivided attention when imparting their masterclass on being rock and roll legends. That was naturally AC/DC, the inimitable Australian force that took the world by storm throughout the 1970s and ‘80s, just when Kiss themselves were gearing into life.

Speaking of the band and his favourite album of theirs to Louder Sound in 2023, Stanley enthused: “With Back In Black the band’s sound was polished to some degree. They were building on what they’d done before, moving forward. That kind of bare-bones grit they had in the early days was replaced with this driving sonic overload. But it was so brilliant. I thought what was gained overrode what was lost.”

Yet Back in Black, surprisingly, does not take the crown of AC/DC’s best effort in Stanley’s eyes. Instead, it was their follow up record, For Those About To Rock from 1981, that holds the most special place in his heart. Reflecting on the album’s titular track, Stanley continued: “There’s another great song from the beginning of the Brian [Johnson] era. ‘For Those About To Rock’ is as impressive and colossal as anything I’ve ever heard. The end of that song, with the cannons firing, it really is gladiator music!”

With critics roundly considering the record as one of the band’s best ever creations, it’s clear that Stanley does not stand alone in his fawning views. Indeed, to give its lead song in question its full title – ‘For Those About To Rock (We Salute You)’ – the references to its “gladiator” spirit are not misplaced, as the name derives from the ancient Roman prisoner saying, ‘Ave, Caesar, morituri te salutant,’ translating to, ‘Hail Caesar, those who are about to die salute you’.

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Fanboy Expo Gene Simmons in Knoxville and Orlando!

We are thrilled to announce that Gene Simmons will join us at the Knoxville Convention Center July 11-12 for Fanboy Expo Knoxville 2025 and at the Orange County Convention Center Sept 26-27 for Fanboy Expo Orlando 2025. Gene is best known as the Co-founder. Co-lead singer and bassist for the rock band KISS. Simmons has captivated the world with his on-stage persona, The Demon since the early 1970s and became a member of the Rock & Roll Hall of Fame in 2014.
Both of these appearances will be limited. Special Fan Packages, Photo Ops, and Autographs are available at:

Gene Simmons Feels Responsible for ‘Music From ‘The Elder’’

When it comes to Music From ‘The Elder’ by Kiss, it seemed like a good idea at the time. But in the years since it was released in 1981, it’s become a polarizing topic for fans.

Gene Simmons was quick to address the topic when it came up during a recent conversation that will be featured on the UCR Podcast. “I have to take full responsibility,” he says. “I was in L.A. at the Beverly Hills Hotel and at the time, I was acting in movies and stuff like that. I thought had an idea for a movie called The Elder. On hotel stationary, I started writing out a story [about] when the earth was young, they were already ancient and so on. And in every age and every time, a hero was born. That kind of mythic fantasy quality.”

Bob Ezrin came by because he was going to produce that record. There was a change in the band. Peter Criss was no longer in the band and Eric Carr came in,” he continues. “Ace [Frehley], you know, he was sometimes there and sometimes not. We just started talking generally about songs and what kind of record should we do and all of that. Ezrin happened to see my notes for The Elder and he said, ‘Oh, I like this. How about we do a concept record where the songs mirror that?’ He contacted Christopher Makepeace, an actor who was coming off a movie called My Bodyguard, about a kid in school getting beaten up and he befriends this big guy who protects him. We also had an English actor, Ian McKellen.”

The record “took shape in drips and drabs,” as Simmons recalls, while Frehley, in his telling, resisted participating in the recording process the way it was planned out. “He refused to go to Canada, right outside of Toronto [where portions of the album were being recorded]. He wanted to stay home and record because he had a studio. We were making copies of 24-track masters and sending them to Ace. It was a very disjointed kind of record.”

How He Feels About ‘Music From ‘The Elder” Now

In conversation with Simmons, it doesn’t feel like his opinion on Music From ‘The Elder’ has changed much after more than four decades. As he can see now, elements of their approach would be repeated as the group continued to make music. “What I can say about [Music From ‘The Elder’] is it was not an honest record, because we were trying to do something different,” he says. “And by the way, Carnival of Souls had the same thing [happening]. Before you start writing those songs, let’s try for this. It’s not what we do naturally. And some people like it and some people don’t. But it was not an honest record in terms of it being a deviation on purpose before the fact.”

There are a few songs that he feels positively about and he mentions one specifically. “I like ‘I,’ which is an anti-drug song,” he points out. “I don’t need to get wasted, it only holds me down, because I’ve got a will. I’ve got a will of my own and the balls to stand alone, because I believe in me. [So I like that one] and one or two other songs, but generally, it was a different kind of record.”

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New Book By Joey Cassata based on Music From The Elder

ARE YOU READY KISS ARMY??

Joey Cassata Unveils The Order of the Rose —
A Fantasy Epic Inspired by Music From The Elder

Ever wondered what the legendary and polarizing Music From The Elder could have been as a full-fledged story? Now’s your chance!

Joey Cassata brings to life The Order of the Rose, a fantasy novel filled with adventure, mythology, and mystery. Inspired by the themes and world of Music From The Elder, this epic tale follows a journey of destiny, sacrifice, and heroism.

Available soon in Hardcover, Kindle & Audiobook—Only on Amazon

Legendary classic rock star: ‘Better to be a rich, miserable f—’ than to be poor

Rock legend Gene Simmons recently proclaimed that money makes life better, even if it doesn’t bring actual happiness.

Simmons told the Ultimate Classic Rock Podcast that if you’re going to be miserable, it’s better to be “a rich, miserable f—.”

The iconic bassist and singer from KISS explained that there are a lot of famous people who are relatively poor, and people whose names you might not know that are very wealthy.

“You know, life is tough, so the romantic hippie-dippie notation about life never worked for me,” Simmons said. “All I ever did was try to figure out how to become powerful and make lots of money, for survival.”

Simmons’ comments come just days after he promoted a $12,495 package that would allow a fan to be his “personal assistant and roadie for a day.” The rocker caught flack for the concept, with many pointing out he was charging a fan thousands of dollars to work for him.

While Simmons is preaching the importance of cash, fellow former KISS member Ace Frehley believes money was the reason the band’s original lineup split.

“Once we became rich, we all became millionaires, everybody started going their own way,” Frehley said on the Guitar Tales podcast last year.

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Gene Simmons KISS Will Hold True To the Promise at Vegas Show

Gene Simmons offered more details about Kiss‘ upcoming performance at November’s Kiss Army Storms Vegas event, which will mark their first show since their farewell tour concluded in December 2023.

The three-day convention will take place from Nov. 14 through 16 at Virgin Hotels Las Vegas and include an unmasked, electric performance by Simmons, Paul Stanley and unspecified special guests. The announcement drew sneers from fans who have grown wary of Kiss’ multiple farewell tours, but Simmons insisted the performance will not invalidate their final voyage.

“We will not do the makeup. We will hold true to the promise,” Simmons told the Las Vegas Review-Journal. “There’s no stage show. There’s no crew. We won’t have 60 people levitating drum sets and all that stuff. This is more personal gathering of the tribes, where we meet them, greet them, maybe have a Q&A.”

Simmons also hinted at several other attractions that will take place throughout the weekend. “There might be some Kiss tribute bands, almost like a convention, if you will,” he added. “So it’s much more personal. And of course, we can’t get by without playing, so we’ll get up and do some tunes. What they are, how long, I don’t know.”

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“I used a flange on the main riff and a wah-wah on the solo. I just said, ‘Hit the record button and I’ll let it rip!’”: Kiss legend Ace Frehley on his greatest cult classic song

“Paul and Gene weren’t the only lead singers in the band”

It was arguably the best song that lead guitarist Ace Frehley ever wrote and sang with Kiss.

And in a strange twist, it was a studio cut featured on a live album.

Its name: Rocket Ride.

By the time the band’s second double-live album, Alive II, was released in 1977, Ace Frehley had just one lead vocal under his belt in Shock Me, which came off Love Gun, the studio album released earlier in ’77.

Frehley’s lack of confidence in his singing voice while recording Shock Me is well documented. But after touring behind Love Gun and belting out Shock Me in front of audiences across the globe, his confidence had grown.

On vinyl, Alive II had three sides of live material plus a final side featuring five brand new studio tracks.

And without doubt, the pick of the bunch was Frehley’s Rocket Ride – with a slinky, flange-ridden riff meant to simulate take off, and not one but two rip-roarin’ solos.

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KISS-THEMED ROCK & BREWS CLOSES LUTZ/WESLEY CHAPEL LOCATION AMID CHAIN STRUGGLES

Fans of rock-themed dining in the Tampa Bay area will have to look elsewhere, as Rock & Brews in Lutz/Wesley Chapel has permanently closed. The State Road 56 location, situated across from the Tampa Premium Outlets, shut its doors earlier this month. The closure is part of a larger trend for the KISS co-founded restaurant chain, which has faced multiple shutdowns recently. The Plantation, Florida, location closed on January 13, 2025, and restaurants in Oklahoma City and El Segundo, California, have also ceased operations—with the latter filing for bankruptcy.
Despite these setbacks, several Florida locations—including Orlando, Oviedo, and Kissimmee—remain open and operating. Rock & Brews was founded in 2012 by Paul Stanley and Gene Simmons of KISS, along with Michael Zislis, Dave Furano, and Dell Furano. The vision? To create a family-friendly restaurant that blended American comfort food with a concert-like atmosphere. The concept was first sparked during a casual brainstorming session over “a cold beer” with restaurateur Michael Zislis and the Furano brothers.
The restaurant quickly gained traction, expanding to 17 locations across the country, offering an immersive rock-and-roll experience featuring memorabilia, an extensive craft beer selection, and a casual, music-infused vibe. With Rock & Brews in Lutz/Wesley Chapel now closed, the space won’t stay empty for long—a Portillo’s restaurant is set to take its place. Known for its Chicago-style hot dogs and Italian beef sandwiches, Portillo’s continues to expand in Florida, bringing a different kind of nostalgia to the location.
As Rock & Brews faces mounting closures, questions arise about the future of the chain. Will the remaining locations in Florida and beyond be able to keep the brand alive, or is this the beginning of the end for the KISS-fronted venture? Only time will tell.
From Tampa Bay Music News