Why Would I Listen to This? – Tommy Reviewing KISS Asylum Tour Off The Soundboard

Episode 617. Michael and Mark share their thoughts and review of the new KISS Off The Soundboard from the 1985 Asylum tour. It is great to finally have a live show with Bruce Kulick and Eric Carr. It is great to have the Asylum tour represented. We are glad to have purchased this release, but…

We only need to listen to this once and we are done. No return listens are needed. Why? Paul Stanley’s stage raps are cringeworthy. Four solos during the show, please NO! And for goodness sake, stop playing so damn fast! Slow down!

Tommy shows up right at the end and without any leading expresses the same thoughts as Michael and Mark… he actually said, “Why would I listen to this?”

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Songwriter RUSS BALLARD Praises KISS Rendition Of “God Gave Rock ‘N’ Roll To You” – “Perfect”

In a new video interview with music journalist Joel Gausten, legendary songwriter Russ Ballard (KISS, Argent, Rainbow, Ace Frehley, Santana) talks about his forthcoming album, Songs From The Warehouse / The Hits Rewired, and highlights from his decades-long career.

Ballard has had a long association with KISS, including writing two songs recorded by Ace Frehley and Peter Criss respectively. In 1991, KISS had a hit with its version of Ballard’s 1973 song “God Gave Rock ‘N’ Roll To You” (originally recorded by his former band Argent), as “God Gave Rock ‘N’ Roll to You II” with a faster tempo and slightly changed lyrics.

“I don’t honestly know Ace’s version (of ‘In The Night’),” Ballard reveals in the interview. “He called it ‘Into the Night’, didn’t he? I think I’ve heard it before. I don’t recall ever sitting down listening to it, but I like what I’ve heard of his stuff, what he does. (His version) worked for him, because I’ve seen it a lot around; I used to get Billboard, and it was all over the place. Same with Peter Criss; I’ve never heard very much. I know he did ‘Some Kinda Hurricane’, and he did ‘Let Me Rock You’.”

“I think what KISS did with ‘God Gave Rock ‘N’ Roll To You’ was perfect. I think the tempo is dead right, and (so was) changing the lyric. I made my first verse more spiritual, as it was ‘God Gave Rock ‘N’ Roll To You’. I used that ‘love your friend, love your neighbor’ idea at the front, and they used the thing about getting a guitar and (doing) the whole thing as a ‘rock’ thing, and it was perfect for them. It was right for them. The tempo was absolutely spot-on. For me, our one with Argent was too slow; it was draggy and laid back … but KISS got the groove into it, and I loved that.”

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‘I Remembered Watching Gene Be So Nervous About It’: Bruce Kulick Speaks Up on One of Kiss’ Most Polarizing Albums

If you’re a veteran rock act who issued albums over a near 50 year period, there are bound to be a few releases that proved to be more polarizing than others amongst fans. And Kiss certainly had a few of them, tops being 1981’s conceptual rock opera, “(Music From) The Elder” and 1997’s decidedly grungy “Carnival of Souls: The Final Sessions”.

But there is another album in their discography that is also met with a bit of resistance from their following: 1987’s “Crazy Nights”. And unlike the other aforementioned controversial albums, “Crazy Nights” was a hit: going platinum in both the US and Canada, and gold in the UK (where the album peaked at an impressive #4). Additionally, Kiss scored a smash hit single with the anthem “Crazy Crazy Nights” in the UK (which also peaked at #4).

But the sudden sweetening of Kiss’ sound with keyboards and some of the material sounding like it was written on the spot (particularly the lyrics to the Spinal Tap-esque “Bang Bang You“) has become quite apparent when listening back to the LP with “2025 ears”.

During an interview with Chaoszine, former Kiss guitarist Bruce Kulick discussed the “Crazy Nights” album. And explained which member was all for it, and which member wasn’t entirely comfortable with its direction.

“In contrast to ‘Asylum’, which seemed to be more self-produced, it was interesting to get [producer] Ron Nevison involved, who was very successful then,” Kulick said (transcribed by Ultimate Guitar). “He had hits with some big bands, and I know that Paul [Stanley] was very excited to work with him. Gene [Simmons], maybe not as much, but again, I was able to contribute some songs.”

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Bruce Kulick Expresses Frustration Over KISS Unplugged Coverage Focus

Former KISS guitarist Bruce Kulick shared his thoughts about the ‘KISS Unplugged’ performance in a recent interview with Chaoszine. His final major live performance with KISS was overshadowed by the reunion with original members Ace Frehley and Peter Criss.

“One thing that I always feel frustrated by was Eric Singer and myself with Gene and Paul and those performances were extra amazing but all the publicity and all the press was always about that Ace and Peter came out,” Kulick said. “They’re like 20% of the album, and I get the hype of it, but it’s not in relation to the musicianship or the songs or how many things we did that were just untouchable.”

“The truth is, the body of the concert that Eric and I did with them, I just think is amazing,” he continued. “And the fans know, but I know if you ever look at any of the publicity or the pres,s all it wants to talk about is the reunion. And that was my last big live gig with them. It’s kind of sad, of course.”

Kulick’s comments highlighted a pivotal moment in KISS’s history that changed the band’s trajectory in the mid-1990s.

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KISS ARMY SPAIN FAN CLUB PACKAGE WITH THE EXCLUSIVE BOOK KISS DESTROYS MADISON SQUARE GARDEN 1977-2019 ALMOST GONE!

WE ARE DOWN TO OUR LAST 5 COPIES!  THIS IS SOLD OUT EVERYWHERE!  LAST CHANCE TO OWN THIS AMAZING BOOK!

Only 200 of these were made.  This book is amazing!  Awesome never before seen photos!

As you all know, Madison Square Garden is a worldwide legendary arena and a real sanctuary in New York City, which is also KISS’ hometown, where they played 16 times. “KISS DESTROYS MADISON SQUARE GARDEN 1977-2019” is the complete journey beginning with that first concert back in February 1977 until their last show in 2019, a little more than two years ago, on their farewell END OF THE ROAD tour.

It is an A4 size book that features more than 250 full-color pages and more than 1,000 pictures (many of them never before seen), as well as exclusive interviews, anecdotes, chronicles from fans who had the privilege to attend some of those concerts, tickets, concert posters, clippings from newspapers, articles from magazines, backstage passes, ALL facts that you can imagine about these 16 shows at New York City’s temple. All in all, a real jewel that all KISS fans will love.

Besides all of that, for this book we had the pleasure and the honor to count on Christopher K. Lendt’s collaboration, who as you all know, was KISS’ business manager on tours from 1976 to 1988, and later he published the amazing book KISS & Sell in 1997. The foreword of the book is written by Lendt and you will also find an exclusive interview with him in the book. And if that was not enough, you will be able to read an exclusive contribution by Bruce Kulick himself, who was lead guitar player in KISS from 1984 to 1996! And besides all of that, the book includes contributions from people in the KISS circle, like Carrie Stevens (Eric Carr’s girlfriend), Debra Svensk McMurry (Peter Criss’ second wife), Fritz Postlethwaite (former tour manager), former and current members of the band’s tour staff, members of the bands that opened for KISS at those shows, etc…

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GENE SIMMONS BAND EURO TOUR 2024 THE GOD OF THUNDER RETURNS Book at KISSArmyWarehouse.com! IN STOCK! LIMITED SUPPLY!

KISS finally said goodbye to over 50 years of touring activities at the beginning of December 2023 but Gene Simmons decided he wasn’t quite ready to leave the party… “GENE SIMMONS BAND – EURO TOUR 2024 – THE GOD OF THUNDER RETURNS” is a book that compiles all of the facts and details of that year’s 12-date European tour from a fan’s perspective. Featuring over 700 photographs, exclusive interviews and experiences from those who were there to witness the spectacle first hand, besides tons of information. A book that will satisfy even the most die-hard of KISS fans.

 

Besides all of that, for this book we have had the honor to count on Gerhard Wimmer (one of the most renowned names in the KISS world) to write the foreword, as well as including exclusive interviews with Brian Tichy (Gene Simmons Band’s drummer), Marco Hartmann, Mark Laurenz, etc… something that obviously provides special value to the book’s content.

 

The package includes KISS Army Spain classic member card and two A5-size commemorative photos.  Book is in English.

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The greatest album of all time, according to Ace Frehley

As a founding member of Kiss, Ace Frehley is often regarded as one of the most significant figures in the history of hard rock and heavy metal. Alongside bandmates Paul Stanley, Peter Criss, and Gene Simmonds, Frehley helped popularise the genre and mutate it in a way that made it more commercially accessible. Given their innovations, it’s no wonder they’re still regarded as one of the biggest names in their field.

Their theatricality and pantomime appearance were a significant part of them being perceived differently by many of their peers, and the style of music that they made that blended heavy riffs with melodic hooks and pop sensibilities was crucial to their rise in stature during the 1970s and ‘80s. There’s certainly plenty about Kiss that could be described as corny, but at their core, they were incredibly accomplished performers and songwriters, and that’s why they were able to establish themselves at such a high level for so long.

However, while their pop credentials came from a mutual love of ‘60s pop acts from the UK such as The Beatles and The Yardbirds and later glam rock acts such as Slade, their heavier aspects came from a desire to be shocking and subversive in a similar manner to Black Sabbath and Alice Cooper. However, as the band’s guitarist, Frehley has always had plenty of other inspirations who have been a constant throughout his career.

Much like many others looking to master the instrument, Frehley looked up to Jimi Hendrix as a true icon of the instrument, and has proclaimed in the past that he believes the greatest album of all time is the Jimi Hendrix Experience’s 1967 debut, Are You Experienced?

In a 2023 interview with Classic Rock, the guitarist hailed the album as a life-changing record that sent him on the path to becoming the musician that he is, claiming that it was “revolutionary” and that he would regularly carry his copy of the album around with him as a teenager.

In a 2014 interview with Guitar World, he would sing the praises of the album, stating: “My guitar style was modelled after a lot of musicians, and Hendrix was definitely one of them. But even more than the music, what really influenced me was his attitude. The way he dressed, the way he looked. He was so anti-establishment, and nobody wrote music like him.”

He also recalled an early experience he had meeting his idol and said that after sneaking backstage at a Hendrix concert in 1969 when he was just 18 years old, he was asked if he wanted to be a roadie for the evening. “If you looked like you belonged with the band, they let you go backstage,” Frehley recounted. I had hair down to my waist, lemon-yellow hot pants and a black T-shirt with a snakeskin star on it. So they let me in. They put me to work setting up Mitch Mitchell’s drums and working on the stage when Jimi was playing. It was bizarre.”

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Gene Simmons’ Son Nick Responds To KISS Fans With Brief Bass Performance

Nick Simmons, son of KISS bassist Gene Simmons, addressed fan requests in a video on Evan Stanley’s Instagram Stories. The brief interaction highlighted the musical collaboration between Nick Simmons and Evan Stanley, son of KISS frontman Paul Stanley.

“There. I played bass,” Nick Simmons stated in response to KISS fans’ demands for him to follow in his father’s footsteps.

The video appeared on Evan Stanley’s Instagram profile. Nick performed bass sounds on a keyboard as a playful response to fan expectations. The two second-generation musicians have collaborated on various musical projects while creating their own artistic path.

This lighthearted response emerged during a period of significant career developments. Both musicians have demonstrated their commitment to creating unique musical identities separate from their famous fathers’ legacy.

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