10 Songs That Define KISS’ Career

In the history of rock and roll, KISS has been one of the biggest bands ever. From their music to their merchandise sales to their live performances, they’ve made strides very few have. To measure their impact against others in their genre, you would have to look at bands such as the Rolling Stones, AC/DC, or the Beatles. With over 100 million albums sold worldwide, KISS has positioned themselves to be mentioned in the rarefied air alongside these fellow contemporaries.

Beginning as Wicked Lester, Chaim Witz and Stanley Eisen tried to make the band work, but both knew changes needed to be made if they were ever going to make it big. A major step they took was changing their names, with Witz becoming Gene Simmons and Eisen becoming Paul Stanley.

Eventually, the two would be joined by Peter Criss and Ace Frehley, starting a new band named KISS. It didn’t take long for the band to make an impact. Their signature makeup and costumes made them stand out, but surely one significant thing that has set them apart over the years is the hit songs that have come to define them.

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Gene Simmons vs. Ace Frehley: Who’s Got the Better Set List?

Although they’ve followed very different career paths over the past four decades, founding Kiss stars Gene Simmons and Ace Frehley have used remarkably similar set list formulas on their recent solo tours.

Since first leaving Kiss in the early ’80s, Frehley has toured steadily and released nine studio albums. (He also returned to Kiss for a five-year reunion in 1996.) Simmons remained busy with Kiss until their 2023 retirement from touring, but began playing occasional solo tours in 2017.

Comparing the average set lists of Frehley and Simmons’ recent tours reveals some common patterns. At a typical show Simmons plays nine Kiss songs, which is either one or three less than Frehley depending on if you count songs from his 1978 solo album, released while he was still in the band, as solo songs or not.

What’s more, the two former bandmates play five of the same Kiss songs most nights: “Parasite,” “Cold Gin,” “Deuce,” “Shout It Out Loud” and “Rock and Roll All Nite.” The first two songs were written by Frehley, although Simmons sang them on the 1974 albums Kiss and Hotter Than Hell.

On his 2024 tour Simmons usually played two songs from his solo albums. Despite having a much bigger solo discography, that’s the same number Frehley plays from his post-Kiss solo albums at an average show, compared to 12 from his former band. Simmons has also been mixing in covers of songs by Van Halen, Led Zeppelin and Motorhead at recent shows.

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GENE SIMMONS Reflects On KISS’s Debut Album: It’s ‘Probably The Most Honest Record We’ve Ever Done’

In a new interview Terrie Carr of WDHA-FM 105.5 FM, the rock music station licensed to Dover and Morristown, New Jersey, KISS bassist/vocalist Gene Simmons reflected on the band’s classic debut studio album, which was released in February 1974 via Casablanca Records. Much of the material on the LP was written by Simmons and KISS guitarist/vocalist Paul Stanley, with the two of them splitting the lead vocal duties fairly evenly. Gene said about the effort (as transcribed by BLABBERMOUTH.NET): “I think probably it’s the most honest record we’ve ever done. It doesn’t have to be the best, but painters and artists talk about the honesty of innocence before you learn to do things. Like kids — the most honest art is when a small child dips into mud or poop in the bathtub and starts creating imagery and stuff. That’s the most honest expression of art before you know form and function and any of that stuff. So we didn’t know anything about the recording process. We barely knew how to tune the instruments, and we sort of could write songs and based on our love of… We were Anglophiles. We loved the English version of what the Americans invented, which was rock and roll and blues, and it became rap and all that. It all started here [in the U.S.], but come on, the English gave us THE BEATLES and [LED] ZEPPELIN and stuff, and we gave them THE GRATEFUL DEAD. It’s just leagues apart. Nothing American ever rose to that level with people that play guitar. Nothing — not even close. And when you list the top — I don’t know — 10 bands of all time, they were all English or Irish. THE BEATLES and THE [ROLLING] STONES and the English invasion and stuff — on and on and on. Amazing songs. And so we started writing songs like that, and not copying or anything, but within that vein. And it came easy. Paul and I were long students of songwriting and the English bands and everything. THE KINKS — oh my goodness, those early years. ‘Waterloo Sunset’ was so, so simple, stripped of even production.

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Original KISS Drummer Peter Criss Announces First Solo Album In 18 Years

Drummer Peter Criss, who co-founded the rock band KISS, has announced via short video from fansite KissFAQ that he will release his first solo album in eighteen years. The band historian Julian Gill shared details of the record on the fansite.

 

“I have an announcement,” Criss tells fans in the video. “I have my new rock and roll album to [share with] you KISS Army guys coming out in the fall, and I really hope you like it, man. And I wanna say God bless to each and every one of you.”

Gill noted that the record is a “hard rock, kick-ass album” that features the production work of Barry Pointer, while Criss is joined by guitarists John 5 and Mike McLaughlin, bassists Billy Sheehan and Matthew Montgomery, and pianist Paul Shaffer. The record also features the talents of backing vocalists Dennis and Sharron Collins, and Cathryn Manning.

“I was honored to listen to this album at Peter’s studio with him last night, and it was absolutely amazing to hear this new music,” adds Gill. “It was vibrant and powerful.

“I’m so excited for it to be released, and I think KISS fans are gonna love this album. Peter’s drum sound is absolutely massive and his vocals are powerful. Barry Pointer’s production is stunning, and Peter’s got an incredible group of musicians and background vocalists behind him.”

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‘Creatures of the Night’: The Kiss album that ended in bankruptcy

Sometimes even the plans that seem foolproof and destined to lead you to a life of rock and roll rapture can end in flames. No one is more well-acquainted with that tragedy than Kiss’s short-lived former lead guitarist, Vinnie Vincent, whose blink-and-you’ll-miss-it stint with the band frankly seemed to result in more hassle than it was ever worth.

The dance with disaster began back in 1982, when he was drafted into the band to replace then-guitarist Ace Frehley, assuming what turned out to be the significant role of The Ankh Warrior, the final character of Kiss’ makeup era. But if it seemed like the stars were aligning, Vincent’s luck soon ran short as his official contributions to Kiss became ever murkier due to the trapdoors and loopholes of their employment contract.

Without trying to turn this into a lesson in rock and roll HR, the guitarist claimed that he was a session musician while the rest of the band – and the world – considered him a fully-fledged leading member. Thus, when it came round to the legalities of Kiss’s 1982 album Creatures of the Night, the two opposing views of Vincent’s role became embroiled in a battle of wills that, in the end, cost the man in question his finances, let alone his sanity.

To be fair, the issue didn’t so much concern Creatures of the Night itself – Vincent had still been considered a session musician and thus not credited at this point, despite playing lead guitar on six of the tracks and writing a further three – but it was only afterwards, when Gene Simmons and Paul Stanley wanted to officially bring him into the fold, that he began to throw the toys, or in this case, the guitars, out the pram.

After all, Simmons’ and Stanley’s point was understandable – Vincent had been there throughout some truly defining moments for the band, including their decision to ditch the makeup, and they couldn’t see why he wouldn’t sign on the dotted line to join the gang. Indeed, on the follow-up album Lick It Up, their first unmasked effort, he co-wrote eight of the ten songs, hence having all the appearances of a lead guitarist. But the demands to keep things Vincent’s way eventually became too much, and he was unceremoniously fired from Kiss following their tour for the record in 1984.

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Bruce Kulick Reveals Involvement in Kiss’ Supposed ‘Reunion Album,’ Says He Played Bass on Some Songs: ‘I Never Saw Ace or Peter’

When it was announced that Kiss was to record an album with their original line-up after the completion of their highly successful Alive/Worldwide Tour in 1997, fans were hoping for an “all for one and one for all” type of effort. Instead, it has become known over the years that it was anything but.

Of the original four, only Gene Simmons and Paul Stanley appeared on all of the album’s ten tracks, with Ace Frehley supposedly playing guitar on only three tracks (and singing lead on one), and Peter Criss only playing drums on one track (and singing lead on one), with all four trading lead vocals on the song “You Wanted the Best.”

And who filled in for Ace and Peter? Most of the lead guitar parts were supplied by former Kiss guitarist Bruce Kulick and future Kiss guitarist Tommy Thayer, while all of the drumming (except for one song) was provided by session man Kevin Valentine.

During a chat with Chaoszine, Kulick discussed this controversial album. And cleared up what his role was during its creation.

“‘Psycho Circus’…I was very flattered, of course, when I started to do some demos with Paul at that songwriter’s home, this guy, Curt Cuomo, who worked with me for Union, as well,” Kulick said (transcribed by Ultimate Guitar). “So, I would either play bass,…I didn’t get to work on a song with Paul ’til a little later, because I did co-write ‘Dreamin‘ with Paul.”

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Ace Frehley Underestimated The Power Of KISS Army, Steve Brown Explains

Steve Brown discussed the reception of Ace Frehley’s ‘10,000 Volts’ album in a recent interview with Talkin’ Bout Rock.

“Ace and I were both blown away by it [the response to ‘10,000 Volts’ album],” Brown said. “Of course it wasn’t without some controversy. I think we all underestimated the pandemonium of the KISS fans and the KISS army, if you will.”

“We live in this clickbait world where guys in podcasts or whatever, you give them an interview and then all of a sudden they decide to turn on you for some reason and put out clickbait stuff,” he continued. “It’s sadly the world we live in, and whether it’s music, any sort of entertainment, sports, politics. It needs to be policed.”

“But long story short, Ace and I made a great record and I’m just so proud of it,” Brown added. “I mean, for me, it was a dream come true to work with one of my heroes.”

The collaboration between Brown and Frehley has captured the rock music community’s attention. The album has received diverse responses from critics and fans.

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Gene Simmons is ready to rock Jersey and Bruce Springsteen, Peter Criss are invited

Gene Simmons of Kiss is coming to Jersey for solo shows and everyone is invited.

Including Bruce Springsteen.

“He’s certainly welcome to pop up on stage,” Simmons said.

The Gene Simmons Band, which includes Brent Woods and Zach Throne on guitar and Brian Tichy on drums, plays Monday, May 5, at the Count Basie Center for the Arts in Red Bank, and Tuesday, May 6, at the Wellmont Theatre in Montclair.

“He’s done well for himself for a young man,” said Simmons of Springsteen from his Malibu home to the Asbury Park Press. “It’s a different pitch, a different kind of music. It’s funny, I spent a little bit of time with Bruce a long time ago and we grew up with the same kind of music, Gary U.S. Bonds, the Ronettes, everything else. But he went the way of saxophones and a big kind of band sound and I was much more an Anglophile. I much preferred the Who and Led Zeppelin and all that stuff, and I think that’s a much different point of view, shall we say.”

Former Kiss drummer Peter Criss, who last played with the band in 2004, is a long-time resident of Wall. He’s also invited to the shows.

“Sure, the door’s wide open,” Simmons said. “Yeah, why not? Anybody who wants to jump up.”

Simmons’ solo shows are a different beast than the Kiss shows.

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